Wednesday, November 18, 2009

Spirit & Soul as Apocalypse Approaches: Inspired Notes from working with Michael Meade

In early November of 2009 I visited Port Townsend with my friend Scott Brooks to hear Michael Meade. Port Townsend is a beautiful place, a progressive town where liberals thrive amid isolation. It’s at the tip of a peninsula on a peninsula and a ferry ride followed by a long drive from Seattle even though as the crow flies it’s fairly close by. It’s surrounded by the waters of the Salish Sea with views to mountains all around. Olympic National Park squats in massive diversity behind a veil of hills. The workshops were held in the local Unitarian Universalist church, itself a bastion of self-proclaimed “liberal religion.”

Scott’s a friend of mine who facilitates Men’s Work in the mythopoetic vein of Robert Bly and Michael Meade. Although not as well known as they are, he’s an amazing man in his own right, a survivor who transcended deep trauma, and is still in training. Scott’s a master of ritual and an intuitive healer who brooks no nonsense. He cuts through bullshit with rigorous lovingkindness in a way I’ve seen very few people do. As I’ve written before, Scott transcends the boxes many contemporary Men’s groups try to put us into and grounds himself in the timeless wisdom of indigenous human beings.

I’ve never worked with Michael Meade prior to this trip although I’ve heard of him and read occasional interviews in various publications. He busies himself working with youths caught up in gangs, war veterans traumatized by combat, Indian reservations torn apart by suicide and addiction, and bringing together elders and other people from diverse backgrounds to work together in healing wounds and in passing on old traditions before they’re forgotten. Michael is both street-savvy and, inspired by Carl Jung and Joseph Campbell, a scholar of psychology, mythology, and poetry. In the midst of my own spiritual upheaval, I look forward to experiencing the man and his work.

I’ve ridden over with Scott to see Michael Meade present both “The Light Inside Dark Times: An Evening Presentation” and “The Mythic Life: Accepting Fate, Finding a Destiny.” I felt compelled to enter these chambers of storytelling and mythic wisdom … to ultimately discover new insights about myself, the world I live in and what can I do to best serve others.

“Forget the Enlightenment,” Michael Meade came out swinging. “We’ve now entered into an Age of Endarkenment.”

My mind goes well, what about World War I, the Great Depression, World War II, and the Cold War? And then my mind gets it, yes, and it doesn’t matter. The horrors of the First World War shattered the Enlightenment anyway. Here we are now, swinging back into Darkness. As every issue becomes polarized by extremism, the great, healthy, and wise middle disappears. Extremism expands out to fill the middle and the polarized clash against each other in paroxysms of violence.

According to my understanding of Michael Meade’s observations I write the following, knowing, too that I may be in error. Nonetheless, the following speak volumes to me. Stuff gets stirred up inside of me. I get stirred up. And I stir up others.

So here goes:

Spirit and Soul are two different things, although ultimately they’re one and the same the same way we’ve come to realize that mind, body, and heart are one and the same. They’re looking for each other, dancing with each other, fighting with each other, wanting to run away from each other while wanting to be united with the other. You can view these terms and images as mythic metaphors or as real as wind blowing rain through the trees.

Spirit seeks to ascend and transcend. Soul seeks to descend and to become immanent.

Spirits become One Spirit. Spirit rises in transcendence to seek unity with All, with the One, with God, with the Great Spirit, with the Universe, to look down and behold the glory of how everything is interconnected and related. Spirit seeks out light, rises straight toward the light, and seeks to become light.

Spirit identifies with the element of air. I don’t know, however, if Michael Meade identifies Spirit with fire or not. I remember from other traditions Spirit can be its own element, but I don’t know of any tradition where Soul is an element.

Soul, however, hungers for depth. It dives down deep into the muck of Life. Soul sees itself as a separate self. It wants to go its own way, tunneling through the stinking mud and shit of life, wrestling with horror and shame and rage, trying to find its way its own way, carving out its own path. Soul twists and turns and takes the long, winding rode while Spirit soars straight to Heaven. Or Nirvana. Soul seeks to uncover and experience what the shadow conceals in darkness. Soul identifies itself with the elements of earth and water.

Spirit seeks to transcend all and become pure and pure consciousness. Soul experiences the division and fragmentation and the multiplicity of life. Soul feels the rich variety of all that is and appreciates there are so many, many ways and paths. Spirit flies upon prayers and chants and gospel songs. Soul sings the blues, going deep into the pain to liberate itself from suffering. Spirit seeks to transcend suffering while Soul seeks to feel it.

Soul is of the world and seeks to experience the world. Spirit transcends the world and all its limitations. Soul fights. Spirit flees.

Spirit becomes unbalanced when it gets too close to the light. It becomes as a moth that flies too close to a candle flame in the darkness – it catches afire, burns, and dies.

Soul becomes unbalanced when its goes too deep into darkness where it becomes consumed with what we call “evil” or the shadow aspects of ourselves, the part of ourselves that scare us, that make us feel ashamed of ourselves, that we deny, ignore, suppress, even persecute.

Spirit needs to be grounded and rooted in Soul. Soul needs to be able to see and feel the light amid the darkness.

They desire to become one with one another and one in the body.

Light and Darkness are not necessarily two different things as we often think of them. Light came out of Darkness, whether the Big Bang exploding the Universe into existence or a spark from a match setting a stack of dry wood afire or the light of life burning amid the darkness of death.

I imagine they dance inside each one of us, seeking to become one as well as to pull away from each other. We can overly identify with one or the other and lose ourselves to the extremes, or experience the richness of the vast middle by surfing the tension between the two as surfers leverages the energy of waves between ocean and shore. That edge where past, present, and future become unified in presence so wholistic as to feel holy is where it’s really all about.

The master storyteller paused, pulled his drum in close, played a few beats, looked up and asked “Wanna hear a story? Are you ready for a story?”

And off he went, pounding out ancient, almost prehistoric tales from once upon a time that still riveted us with meaning in today’s Post-Modern Age. The drumbeats of the past, present, and future became one beat with my heart beat and all those within the sanctuary. Together as one and as many we surfed the wave of story as its rhythm compelled us at once both deeper and higher in our own souls and spirit.


William Dudley Bass
November 16, 2009


See Also:

Michael Meade & Mosaic Multicultural Foundation: http://www.mosaicvoices.org/

Michael Scott Brooks & Insight Art: http://www.insightart.org/about




© by William Dudley Bass

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Tuesday, November 17, 2009

Dreaming in the Quiet of the Storm As God Burned Holy

In the eye of a fierce storm I came face to face with God on fire. Well, almost face to face. God burned holy, and I didn’t even realize it at the time. Michael Meade and his work have weighed on my mind since I first encountered him over two weeks ago here in Washington State. I signed up for his intensive workshop on Saturday, December 5 on Vashon Island, “The Holy Thread of Dreams: Mythic Imagination and the Dreaming Mind.” My friend Scott Brooks turned me on to him earlier this month, and it’s been a ride ever since as I’ve discovered this extraordinary mythopoetic teacher and storyteller literally right next door. Soul and Spirit danced and battled with each other beneath the sweeping glare of Science and Reason.

I awoke from a dream this morning, this dream:

“It felt long ago into the future, and it was past midnight on a cold autumn night. The Salish Sea was dark and stormy with chop. Our boat carried us through the waves across the waters. I sat in the boat with other people, others who felt familiar but whose faces I could not see in the darkness. Our boat was an old-fashioned row boat, a dory, with an oil lantern fixed high upon the bow.

“We swung around the peninsula out of the wind and all was quiet. The waters were suddenly still and smooth as obsidian. Massive shoulders of blackness loomed off to my right – rocky bluffs thick with trees standing in the gloom.

“There, floating in the bay was a massive temple. It was an enormous Native American lodge constructed from logs. This temple resembled a mountainous log cabin, rectangular, open on one side, and in some odd way reminded me of a Pagan Greek temple and in other ways a log version of a Native American tipi. Then I realized “tipi” wasn’t the right word, but “box.” The lodge was a gigantic medicine box. The entire structure floated upon the water and was anchored by ropes tied to huge boulders rolled overboard. We were about to go inside a huge medicine box.

“Fires blazed deep inside from a huge fireplace, so bright I could not peer directly into it. As if it was the Fire of the Divine itself. God on fire. The smoke of smudging filled the air with sage and cedar and yet the place didn’t feel smoky. People moved around and stood about in different indigenous garb. There were benches and levels and platforms, with everything designed to steer one’s attention toward a King upon a throne in the middle with steps leading up to it – except there was no King or Chief or Empress even and certainly no throne. Where one would expect to see a throne was the blinding fire blazing full-out from the massive fireplace. The fire was so huge yet so contained as if all proportions were perfect in their design. Outside the lodge-temple all was black and cold. Inside a warm, reddish-yellow light played upon the log structure with the light of God blinding white. All these thoughts, feelings, observations, and opinions raced thru my mind in seconds, far less time than it takes me to recompose these dream images into written words.

“We rowed up to the lodge and drifted inside to dock – the front of the lodge was open to the water and cut out so our boat could moor under the high timber roof. We got out, all of us. I stood there upon the wooden platform in awe. There was complete silence other than the sound of the storm beyond the bay and the loud roar of fire. It all felt otherworldly and yet as real as holding a hot mug of coffee in my hands.

“There was deep, masculine energy emanating from many of the men I felt standing in a line before us. They lined the steps up to the fireplace. This masculine energy felt solid, silent, purposeful, clear, conscious, and they were in service to all the rest of us. Against the distant walls I saw female forms, women, and they appeared busy and full of hustle and bustle. No faces were clear to me. All faces were in shadow. I felt a deep sense of wonderment, awe, and a sense of mystery. I prepared myself to face the Divine. Deep inside the unity of fire I felt or rather sensed there was more than one, a collective. Within this dream I remembered an earlier dream that was more of an out-of-body experience into the Afterlife.

“What happened next? WHUMP! WHUMP! WHUMP! WHUMP! WHUMP! WHUMP!

“Damn! I woke up and turned off my alarm. It was 6:00 AM. Being hard-of-hearing I use an alarm clock with a pillow thumper, a vibrator placed inside my pillow case against the mattress. Beats having a 100-watt light bulb plugged into a timer going nova above me and my beloved.”

A wave of disappointment welled up, and I cursed softly. Aw, Man, what a dream! This dream was going somewhere, too! Now I am contemplating this dream. A very rich dream. What does this dream mean? Was I awakening into being my own medicine? And God appeared liberated from all the shackles of human religion. And then I was awake, back in my body and back in my bed. What would have resulted, I wondered, if I had climbed the steps to face God burning?

I shared my dream in an email with the men in the current group facillitated by Michael Scott Brooks. Scott wrote back and challenged me to reconsider certain aspects.

“Thank you for sharing your dream with us William,

If you like, you can bring it with you to the group tomorrow. But first, two things before you do: 1) The dream was for you. You are the dreamer, so be sure to consult yourself before you ask anyone else what the dream means. And 2) Rather than saying that the dream "was going somewhere," I would suggest that you consider the possibility that it already went exactly where it intended to go. Don't miss the point by focusing on what you think may have been missing.

Remember, dreams deal in the imaginal language of symbols ... and this one has gifted you with several rich archetypes to contemplate. In that sense, the dream did its job well. The question is: what is your unconscious self trying to communicate to you through the use of these images? After all, they are the images that you chose to give to yourself in your dream. That in itself is an interesting thing to ponder.

See you all here tomorrow evening. We still have a ritual to discuss ... and who knows what other mysteries await?

Love and blessings,

Scott” (From his email sent “Tue 11/17/2009 11:29 PM”, quoted with his permission.)

And the drum beats on. Tomorrow arrives and we follow our souls into the darkness where light shines.



William Dudley Bass
November 17, 2009





© by William Dudley Bass

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Monday, November 09, 2009

Poem to My Lover upon Her 41st Birthday

Deep into Abyss
We plunge
Beneath shadows of angel wings
Dark as midnight mountains.

In the Darkness
I feel you,
I feel the hot white light
Of your Heart.


William Dudley Bass
November 8, 2009




© by William Dudley Bass

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Scream

Silence I hear nothing
I grip the bars of my playpen
Wooden slats to my mother
But to me I’m in jail
No such words arose in me
All I knew the one I loved
Put me inside this prison
From which I could not escape
I cried
I sobbed
I wailed
I screamed
My mother bustles in the kitchen
Surprise turned to hurt
Hurt turned to anger
Anger turned to rage
I shake the bars and howl
If she said anything to soothe or calm me
I could not hear
I was deaf
And she didn’t even know
I was deaf
And she wouldn’t know for a few more years
And while still in diapers still
I didn’t even know there were any Higher Powers to call upon
I didn’t even know about God yet
For all the good such superstition ever proved to be
I wanna break outa my cage
I wanna tear everything up
Destroy, kill, maim, burn
I’m always in trouble
And not even aware of it until angry hands descend from above
To snatch me up
And put me in Hell
No prayers saved me
No God or Goddess or Great Spirit existed to hear in the first place
Now many years later
I react react react react react
Fight or flight or freeze
Fight or flight or freeze
Fight or flight or freeze
Exhausted I collapse
In my own waste
And as I lift up my head
I see I can walk away
From my own prison
The one I began building decades ago
While deaf in diapers
As an elephant tethered to a string that used to be a rope
Stands still inside a burning barn
And burns to death instead of running free
I too stand burning inside my own barn
And now I walk out breathing
And I walk on breathing
I walk on
The flames vanish
I am free
Free from all the stories in my mind
Free from rage
Free from regression
With freedom comes responsibility
I must remember all those left behind
Still trapped in prisons of the mind
I open wide my angel wings
Black as mountain shadows
Light burns white from my heart
Scorching all our truths with the one truth there is
Love.



William Dudley Bass
October 13, 2009


© by William Dudley Bass

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